Wednesday, February 23, 2011
Text Testimonials
Leviathan
or, The Whale
by Philip Hoare
For thou didst cast me into the deep,
Into the heart of the seas,
And the flood was round about me;
All thy waves and billows passed over me. Jonah 2:3
"I have always been afraid of deep water. Even bathtime had its terrors for me (although I was by no means a timid child)...I thought of my favourite seaside toy- a grey plastic diver which dangled in the water by a thin red tube through which you blew to make it bob to the surface, trailing little silver bubbles"
"Here, everything orientates itself towards the water- even the area in which I lived, Sholing, was a corruption of 'Shore Land'- yet at the same time the city seemed to ignore it, as if it and the element that is the reason for its existence were two entirely separate entities"
"Cities and civilizations rise and fall, but the sea is always the sea. 'We do not associate the idea of antiquity with the ocean, nor wonder how it looked a thousand years ago, as we do of the land, for it was equally wild and unfathomable always', wrote the philosopher, Henry David Thoreau. 'The ocean is a wilderness reaching around the globe, wilder than a Bengal jungle, and fuller of monsters, washing the very wharves of our cities and the gardens of our sea-side residences'... In our arrogance, we consider that we have tamed the ocean, as much as we have conquered the land."
"And I stood looking out to sea, watching transatlantic ships sail by like Fitzgerald's boats borne back ceaselessly into the past, waiting for a future that might never come, like the man who fell to earth. As consoling as the water was, it sometimes served only to make me restless in my suburban exile."
"Before I knew it, there they were, off our bows, whales blowing noisily, rolling with the waves. Barely yards away a young humpback threw itself out of the water, showing off its white underbelly, ridged like some giant, rubbery shell...I was amazed by the exuberant mastery of their own bodies, and the element in which they moved so elegantly. I envied them the fact that they were always swimming; that they were always free."
"seen in the slow motion of recall- the after image it leaves in your head- a breaching whale seems to be trying to escape its environment, the element that, even as it breaks the surface, is pulling it back down. No one really knows why whales leap...The whales may be merely playing, like the boys who dive off Provincetown's Macmillan Wharf, placing implicit trust in their immortality as they hurl themselves from one medium to the other. Or perhaps they pity us for our enslavement to gravity, allowing us a glimpse of their true nature by rising out of the ocean to reveal their majesty."
"With a last plosive whoosh as it fills its lungs, the finback shoots out a mixture of air and salt water and a little whale phlegm, its shiny blowholes closing in an airlock as it prepares to dive, The spume hits my face like a fishy atomizer, I have been breathed upon, and it feels like a baptism."
"[Whales] are Linnaean-classified aliens following invisible magnetic fields, seeing through sound and hearing through their bodies, moving through a world we know nothing about, They are animals before the Fall, innocent of sin...But they also have bad breath and shit reddish water".
"For the modern world, the whale is a symbol of innocence in an age of threat."
"Although D.H. Lawrence would declare that 'Jesus, the Redeemer, was Cetus, Leviathan. And all the Christians all his little fishes', to the Christian era, the whale was the very shape of the Beast of Revelation."
"Everyday I am reminded that it is part of our collective imagination: from newspaper leaders that evoke Ahab in the pursuit of the war on terror, to the ubiquitous chain of coffee shops named after the Pequod's first mate, Starbuck, where customers sip to a soundtrack generated by a great-nephew of the author, Richard melvill Hall, better known as Moby."
"The age of whaling brough man into close contact with these animals- never closer, before or since. But it also meant something darker, more metaphysical, by virtue of the fact that men risked their lives to hunt it...On my own uncertain journey, I sought to discover why I too felt haunted by the whale, by the forlorn expression on the beluga's face, by the orca's impotent fin, by the insistent images in my head. Like Ishmael, I was drawn back to the sea; weary of what lay below, yet forever intrigued by it too.
From Genesis, to Moby Dick, to Pilgrims and Cape Cod this is a transatlantic cross-referencing spatial piece of literature, all focusing on the wondrous creature, the whale! Even the prologue got me hooked, not only does Philip Hoare have a childhood fear of bathtubs that eventually he gets over (ok, so I know that my favourite body of ocean is my bathtub...pools and oceans still scare me) but the guy also has as a childhood toy, a grey plastic diver. So other than cow-cow, my infamous neon purple and pink stuffed cow, who first saved me from an epic nightmare of being eaten by a whale (yes he saved me by eating the whale before the whale ate me) I too shared a diver toy. It was Barbie, the deep sea explorer, battery equipped an all. I would plunge the plastic woman into my bathtub and watch her for hours kick the water and swim in circles. I am pretty confident this helped me get over my fear of bathtubs. And yes I too had that moment where one's father turns away from the tub and the next second little Isabel submerges deep into the soapy depths hidden by extreme fluffy bubbles. Terrifying.
But the space in which whales' live, brings upon the notion of travel and space itself. Ships and voyages lightly touch upon distance. My journey to Dublin has been incredibly marked by my curiosity of space and distance. Perhaps the reoccurring dreams of whales plagues me, why do they haunt me in my sleep? Perhaps the modern world was built upon the whale...
I am pretty sure my parents are both reading this and laughing that I am even daring to share these secret childhood obsessions. Yes as a child I went a little nuts over Raffi and Michael. But in all fairness, it was all for whales!
also if you have anything you want to share, please leave a recommendation!!!!
******Check out my first published poem about whales on Wordlegs.com
Friday, February 18, 2011
To The Temptress, Soaked
"Too long a sacrifice
Can make a stone of the heart."
Can make a stone of the heart."
"History is a nightmare from which I am trying to awake"
perhaps attracted to the Anti-Christ
I antI- Ant-i can't stop-
memorized
by the cruel mistress, Kleio
this film is stuck
repeating
heads tumbling
ripping of flesh
she did not
soak her body
in milk
no, it was
blood
that made her
skin of silk.
Submarine
For No One
Ah to be alive in
mid February
passing along bridge
bundled, scarf wrapped
heavy shoes, empty wallet
raindrops thick in fog
the Spire, hidden.
The tide high on river banks
a drunk man screams
black cat white dog
IMMM GUNA KILL YOU
we laugh, cross the street
but unsettled
his echo follows
with the stench of wet pavement.
I will wait, creeping silently
I will wait, creeping silently
one day none of this
will exist and
to those who believe
that destiny is a drug
just got high
offing disillusionment.
Monday, February 14, 2011
A Very Appropriate Love Poem For Hope Savage
Passage to Dublin
Oh Dublin
let me open
your doors
and throw my
eyeballs on the floor
let them roll
like apples of Sodom
cut from the
lies of trees
watch them pass by
picking up filth
cause before it can know
itself, divine
it can't trust the world
and the Universe
should know
not to trust them apples
cause if its rotten,
Delicious rottenness
Delicious rottenness
at the core
then the skin's
easy to peel
and there is
always a little
seed waiting
to feel
to dissolve
to sink
into the substance
and grow
shadows on fields
Dublin,
you can renege
you can renege
you can deny
you can tear down
and build renewal projects so high
and build renewal projects so high
but you can't peel the shadows
scorned by the tree
cause the mind is our death
and we sacrificed life
craved thick in the trunk
careful where you turn
and where you run
cause either the edge
or the orient
is just Dead-Sea fruits
and your skin
sure looks ripe.
Sunday, February 13, 2011
Just In Time
So the post below, it was a bit angry and I apologize (not enough to delete it).
I know that after everything I appreciate
the frustrations I have been facing and adjusting to over
the past six months. But in the end, regardless of the
hierarchical constraints, all tough experiences
just make thick skin. What the individual walks away
with is what matters.
And today is one of those days
where a wonderful sense of relief exists.
It has been a few years and a nice stack
of rejection letters, but today
I am happy to share
that a poem I wrote
"Dream Vision, Dublin"
has been published.
Check it out at
Self promoting, once again :]
Friday, February 11, 2011
To The 21st Century Elitist Teachers of Education
IQ
Theodor Adorno
Check out Evan Calder William's blog. CLICK HERE.
Perhaps education has already left the classroom...
"The modes of behaviour appropriate to the most advanced state of technical development are not confided to the sectors in which they are actually required. So thinking submits to the social checks on its performance not merely where they are professionally imposed, but adapts to them its whole complexion. Because thought has by now been perverted into the solving of assigned problems, even what is not assigned is processed like a problem. Thought, having lost autonomy, no longer trusts itself to comprehend reality, in freedom, for its own sake. This leaves, respectfully deluded, to the highest paid, thereby making itself measurable. It behaves, even in its own eyes, as if it had constantly to demonstrate its fitness. Even where there is no nut to crack, thinking becomes training for no matter what exercise. It sees its objects as mere hurdles, a permanent test of its own form. Considerations that wish to take responsibility for their subject-matter and therefore for themselves, arouse suspicion of being vain, windy, asocial self-gratification. Just as for neo-positivists knowledge is split into accumulated sense-experience and logical formalism, the mental activity of the type for whom unitary knowledge is made to measure, is polarized into the inventory of what he knows and the spot-check on his thinking-power: every thought becomes for him a quiz either of his knowledgeability or his aptitude. Somewhere the right answers must be already recorded. Instrumentalism, the latest version of pragmatism, has long been concerned not merely with the application of thought but the a priori condition of its form. When oppositional intellectuals endeavour, within the confines of these influences, to imagine a new content for society, they are paralysed by the form of their own consciousness, which is modelled in advance to suit the needs of this society. While thought has forgotten how to think itself, it has at the same time become its own watchdog. Thinking no longer means anything more than checking at each moment whether one can indeed think. Hence the impression of suffocation conveyed even by all apparently independent intellectual productions, theoretical no less than artistic. The socialization of mind keeps it boxed in, isolated in a glass case, as long as society is itself imprisoned. As thought earlier internalized the duties exacted from without, today it has assimilated to itself its integration into surrounded apparatus, and is thus condemned even before the economic and political verdicts on it come fully into force."
A major focus today, concerning education, has been about the increase of tuition fees. What I fear is that this has created a blind-spot, that grows disturbingly large every time I step foot in certain classrooms and lecture halls. Yet bambi-eyed with horror, I wonder if anyone else sees this black-hole of an elephant that gallops from professor or tutorial assistants' mouths to the student, perhaps clogged, ears. To sit a full hour with a tutorial assistant, constantly questioning the books a class has read, especially books not on the course reading list, only forms an atmosphere of elitism. The student who cannot recall The Intellectuals and the Masses, is left out of discussion, and is condemned from ever speaking out when in fact the hour was suppose to be a focus of deep reading Sons and Lovers. The tutorial assistant continues, a list of "contemporaries". For pete's sake, ANYONE AND ANYTHING that has been written after a piece is a contemporary, and this enormous focus of literature in time-frames, barred from being juxtaposed with other time-frames is despicable. Can we not penetrate thought between modernism and plain old modern literature? Can thought no longer find a purpose to be "fully-circular"?
Education is collapsing, not only because of a simple ca-ching, but because of a group of those who seem to be drawn to teach it. Titles of authority mean nothing, excuse me Lecturer, Professor, Doctor. The ability to memorize the titles of books you constantly repeat within a section, shows nothing more than your head being stuck up your ass. Let the students speak, let them shuffle the time-frames, compare ANYTHING TO ANYTHING. Now this does not mean, every professor to tutorial assistant behaves this way, and I do compassionately honor those who see a student excited with knowledge fumble his or her way to form an understanding through intelligence, inspiring those to keep at it, playing devil's advocate. But when a student feels incompetent as you shut them down with a statement to stamp your authority in the classroom, you destroy education, and this destructive behaviour should be thrown out of classrooms, not the student. Be careful what you teach, be careful how you teach, if we are going to fight for higher education, I will only fight if the education is purely taught for the masses to create intellect.
And in honor of the "publish yourself" mentality of this blog,
This past week of shot down thoughts:
"There is a thin line between utopia and eugenics"
"Sons and Lovers should and can be read along side the modern text of A Woman Who Walked into Doors, both illustrate an issue of silence within the home."
Okay so the utopia and eugenics thought may have been a little tug worthy of the soul strings, but thankfully a friend, who happens to be a T.A at UCSC, responded appropriately...
"Insofar as utopia remains a good place, a no place, and a blueprint, then it's homologous to eugenics, which also declares that there is an order that could come to be the case, and that the entire messy reality of how things are need to be brought into line with that order, means and consequences be damned."
This is how thought should be treated, not with a command to be silent.
It is silence who penetrates and creates miserable humans, communicate to your students while they still exist in the classroom.
Check out Evan Calder William's blog. CLICK HERE.
Perhaps education has already left the classroom...
Wednesday, February 9, 2011
She's Eating Hearts Again
My favorite artist right now has to be Amleto Dalla Costa. If I
had any money/ a permanent home, I would commission him
to paint murals on the walls.
But since neither will exist in my life,
I will be content with carrying around
the single postcard my sister sent me.
Tuesday, February 8, 2011
A Crazed Girl
That crazed girl improvising her music,
Her poetry, dancing upon the shore,
Her soul in division from itself
Climbing, falling she knew not where,
Hiding amid the cargo of a steamship,
Her knee-cap broken, that girl I declare
A beautiful lofty thing, or a thing
Heroically lost, heroically found.
No matter what disaster occurred
She stood in desperate music wound,
Wound, wound and she made in her triumph
Where the bales and baskets lay
No common intelligible sound
But sang, 'O sea-starved, hungry sea.'
W.B Yeats
Sunday, February 6, 2011
Saturday, February 5, 2011
Don't Be Alarmed, Fish Don't Have Arms!
Along the Sun-Drenched Roadside
Along the sun-drenched roadside, from the great
hollow half-treetrunk, which for generations
has been a trough, renewing in itself
an inch or two of rain, I satisfy
my thirst: taking the water’s pristine coolness
into my whole body through my wrists.
drinking would be too powerful, too clear;
but this unhurried gesture of restraint
fills my whole consciousness with shining water.
Thus, if you came, I could be satisfied
to let my hand rest lightly, for a moment
lightly, upon your shoulder or your breast.
Rainer Maria Rilke
Friday, February 4, 2011
International Film Festival, Dublin
Basically this is a list of the films I will be volunteering and helping out for, if you have time and money come visit me at either the Savoy, Lighthouse, or Screen 1 in Dublin. If there are any certain genres or certain country based films you are curious to learn about, being shown at the festival, don't hesitate to make a comment. I will happily give you the details!
Submarine
Savoy, Thursday 17th 7:30 PM
Director: Richard Ayoade
A coming of age comedy about a 15-year old boy with two
objectives. To lose his virginity before his
next birthday, and to stop his mother
from leaving his father for her dance teacher.
(UM, Richard Ayoade, please make an appearance. I love you.)
Barbaric Genius
Light House Saturday 19 2:00 PM
Director: Paul Duane
A documentary about the story of John Healy's
rise from wino and street thief to chess master
and award-winning author and his equally rapid
descent to obscurity.
October
Light House Saturday 19, 4:00 PM
Director: Daniel Vega Vidal & Diego Vega Vidal
Clemente finds a baby, a turn of events that delights
his neighbour, Sophia, in this sharply
humorous Peruvian Film.
Archipelago
Light House, Saturday 19 8:30 PM
Director Joanna Hogg
The Woman With the Five Elephants
Light House, Sunday 20 2:00 PM
Director: Vadim Jendreyko
A documentary about Svetlana Geier, a woman revered
as arguably the greatest translator
of Russian literature into German
Revenge (Mest)
Light House Sunday 20, 4:00 PM
Director: Ermek Shinarbaev
Set against the displacement of a million Koreans
from the Russian Far East by Stalin, Revenge, tells how, in a rage
a teacher murders a boy. Another boy is bred, for one sole purpose:
revenge.
Preludio
Screen 1 Saturday 26 2:00 PM
Director Eduardo Lucatero
The film consits of one fluid, unbroken shot lasting the entire
length of the film and is a boy-meets-girl
story wherein he and she remain nameless.
The breathtaking account is wonderfully void of any of the cinematic
cliches usually spotted in romantic comedies
How I Ended This Summer
Screen 1, Saturday 26 4:00 PM
Thursday, February 3, 2011
Bang!
"Of course I do not defend political crimes. It is repulsive to me by tradition, by sentiment, and even by reflection. But some of these men struggled for an idea, openly, in the light of the day and sacrificed to it all, that to most men makes life worth living...harsh words are useless because they cannot combat ideas. And the ideas, that live, should be combatted, not the men who die."
-Anonymous
Wednesday, February 2, 2011
Revolutionary Side-Note
Do not wear glasses during a revolution
we must enter darkness on our own
looking in your neighbour's eye
there should be no reflection
whether the class-war is real or not
depends on whose dead rioter's body lays there.
********************************************
When a government dissolves
it does not fall
or collapse
it flickers and fades
Egypt's making us look
like somber zombies
the kind that lie and drool
no, no not blood hungry
we had bite to be god-like
but no appetite
to be human
*on a side-side note, beyond the political sphere, if you haven't noticed...there is a lot more of my own poetry going up on the site. A major rush of inspiration has been given to me, to continue to write, to continue to report on the world I see. So a really big thank you is to be given to Rob Wilson. Thank you!
"poetry must learn to be brutal again before it can be human"- Synge
Tuesday, February 1, 2011
Billy, The Kid
After shooting Gregory
that is what happened
I'd shot him well and careful
made it explode under his heart
so it wouldn't last long and
was about to walk away
when this chicken paddles out to him
and as he was falling hops onto his neck
digs its beak into his throat
straighten legs and heaves
a red and blue vein out
meanwhile he fell
and the chicken walked away
still tugging at the vein
till it was twelve yards long
as if it held that body like a kite
Gregory's last words being
get away from me
yer stupid chicken
Michael Ondaattje
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