Tuesday, August 31, 2010

The Artist











He stands
suspenders dangle
button-up un-buttoned
hair parted, slicked
walks on his toes
 then scuffs one heel
hands twitching
for the moment 

                                      He spins around

unattached to the air
but the brush
sweeps the canvas
and the image appears
I sit
speechless
but watching
and he claps his hands
hoots and hollers
and sets it to flame
screams Encore!
into black smoke
and the show
is extinguished
fin.



Sunday, August 29, 2010

Blah. Blaah

Fuck You Blah. Blaah. 






















" Nowadays most people kick with the pricks." 
Theodor Adorno Second Harvest

Sometime during eternity
some guys show up
and one of them
who shows up real late
is a kind of carpenter
from some square-type place
like Galilee
and he starts wailing
and claiming he is hip
to who made heaven
and earth
and that the cat
who really laid it on us
is his Dad
And moreover
he adds
It's all writ down
on some scroll-type parchments
which some henchmen
leave lying around the Dead Sea somewheres
a long time ago
and which you wont find
for a coupla thousand years or so
or at least for
nineteen hundred and fortyseven
of them
to be exact
and even then
nobody really believes them
or me
for that matter

You're hot
they tell him
and they cool him
They stretch him on the Tree to cool
And everybody after that
is always making models
of this Tree
with Him hung up
and always crooning His name
and calling Him to come down
and sit in
on their combo
as if he is the king cat
who's got to blow
or they can't quite make it

Only he don't come down
from His tree

Him just hang there
on His Tree
looking real Petered out
and real cool
and also according to the roundup
of late world news
from the usual unreliable sources
real dead


Ferlinghetti

Saturday, August 28, 2010

Strut Your Stuff Inside Your Head.





















Hey New York!

These blocks
make me think
about the way
I walk
the way
strangers walk
the pace
the bounce
the swing
I think about
my arms
my head
and where to look
these blocks
make me want to rip
my eyes out
so I don't
lock gazes with strangers
but I miss
the texture of buildings
and signs needed for direction
cause I'm busy
watching my feet
step after step
watching my feet
watching the feet
of strangers in front
syncing up with others' pace
pass them, pass them!
dodge them!
spin to cross the street
and in just a week
my feet are blistered
and swollen
now I've got apples
for toes.















Opening of Chrome Store in NY via www.vitaminc4.com

Wednesday, August 25, 2010

See-Line Woman, New York









































"Black dress on, for a thousand dollars she wail she moan." Nina Simone


New York in two photos.




Thursday, August 19, 2010

Monday, August 16, 2010

Live Every Week Like It's Shark Week



































Hey, You Never Had Hope to Begin With!
    A Farewell to LA


Wait!
it is the waiting period.
remember?
hello?
right now is that time
when you are waiting
and making those
dreams?
and plans?

stop.

you are waiting
get your mind
out of your head and
onto your feet
cause you are not God
or Chris Angel
and you do not
know how to walk on clouds
or water
or levitate
or talk through
trees or snakes
silly,
why look back?
no one is there
memories are
faceless heads
and they mean nothing
look forward
but not too forward
cause sharks
can't swim backwards
and you
only have one set of teeth
live each week
like it's shark week
because who calculates
life in days?
we want chunks,
we want
chunks of time
not minutes,
not hours,
not seconds,
so take that big bite
bite big
bite life with big bites
and don't chew
just swallow
and look for that gift
at the bottom
of the box
cause life is
bottomless boxes
with plastic toys
so play with your
wife's stretched
botoxed lips
and buoyant silicon breasts
cause sharks
can't French kiss
and its more fun
to dispose of humans
in Purgatory
see you in "enfer"
enter here if you are done waiting
or turn left
for the  405.




Painting: John Collier, Lilith





Hello. If you are reading this, share your favorite LA or city poem, or better yet write one yourself!!

Saturday, August 14, 2010

Adorn the Imperious

ris & EwingHarris & EwingHarris & EwingHarris & Ewing





















Photography: Alfred Eisenstaed


"I cannot deny," I said, "that nothing will attract a man more than the picture of a beautiful, passionate, cruel, and despotic woman who wantonly changes her favorites without scruple in accordance with her whim--"

"And in addition wears furs," exclaimed the divinity.

"What do you mean by that?"

"I know your predilection."

              - Venus In Furs, Leopold Ritter von Sacher-Masoch





Speak So Slightly

childlike, extends her limbs
flips page and takes two deep drags
lets one knee-high fall down

Thursday, August 12, 2010

The Real Reasons Behind Moving to Dublin

3 Reasons

1. Hogwarts






















2. View from bedroom






















3. To be closer to these two...


I couldn't resist, I love this music video. It makes me want to get over my fear of rollerblading. I honestly can't remember how I feel about the film Benny and Joon, on the re-watch list. Oh Netflix please instant watch it!

Wednesday, August 11, 2010

Little Monsters

















Introduction to Beshert: It Was Meant to Be   
                  When my mother expressed to me that I was the chosen one from the third generation asked to commemorate my grandmother’s experience and write an introduction for her memoir, my nausea was quickly settled by the image of “Buffy the Vampire Slayer.” The absurdity lies in the comfort I find in this television show. Buffy is known as “the chosen one”, a term that is constantly used in Judaism. The chosen one comes with an air of power, chosen over however many to be the one, the only one. Yet what I was chosen to be was the keeper of remembering the Holocaust, an event I am completely removed from. This is a problematic power that critically seems just wrong to take a position in. Instead of growing up experiencing “choseness” through the bible, I have experienced “choseness” through television sitcoms and children movies. Today, “choseness” has a fairytale concept attached to it, no longer godly, no longer holding the weight of religious power. Remembering an event I am generationally removed from, only allows me to examine certain themes in my grandmother’s memoir and form a removed discourse as to how these themes translate into my own life.
                 When I was growing up, one thing that my parents made very clear to me was that I was Jewish. That was it. I learned more about God at my preschool, Temple Sollel. Before every lunch we would thank him for bread. I remember impatiently waiting for the “Amen” and then we would all annihilate a slice of challah.  I always questioned why we thanked God when he was just that painting of an old guy with a beard to the floor. Prayer, challah, and paintings of God did not exist at my parent’s home. Instead rules such as no shoes in the house, no drawing on the walls, and one candy per night from Halloween were practiced. My parents did not spend a lot of time teaching me about my Polish heritage, the only rule, that is the rule of no shoes in the house, seemed to be the last remnent of the old world that my parents continued to teach in the new world.. At an early age I understood that we were just American, and it would be foolish to think of myself as a Polish-American.  Yet while my parents were rejecting the old world for the new world, they still held on to the old world, ashamed to completely throw it all away. One thing my mother held on to the past was when she gave my sister and I our middle name, Eibuszyc. I grew up embarrassed about my middle name. Its impossible pronunciation made me an easy target for being different, a difference I barely understood or identified with.  When my mother expressed to me that I was the chosen one from the third generation asked to commemorate my grandmother’s experience and write an introduction for her memoir, I felt an unease. How could the third generation, so removed from the actual experience form a discourse about the Holocaust?  If I were to sit here and write that I think about the Holocaust, and how it affected my grandmother's life and my mother's life I would only be writing lies. This does not mean that what I am about to write is anything close to a universal truth. The reason I choose to distance myself as a way to engage in my grandmother's experience of the Holocaust is because I have not experienced real trauma. If one no longer experiences trauma he or she cannot experience real hope. My grandmother’s generation’s hopefulness has created my generation’s hopelessness. I am the third generation, the third generation deeply immersed in the age of information, the generation of the removed. 
                  I became more aware about what it meant to be Jewish when I participated in the musical “Fiddler on the Roof”. Yet no matter how many times my dad would sing along to the song “Tradition” just as jovial yet not as fat as the patriarch, I still did not believe him. In the song “Tradition”, Tevye, sings about controlling his family, having the final word, marrying off his daughters, and his wife raising the children and taking care of the home. All of these things seemed so interchangeable in the Judaism I was learning through my parents. Yes, my father would have his word but ultimately my mother had the final one, this would pretty much be settled by either my sister or I confronting our father that he was “Notamomma”. Although my mother was a stay at home mom, I participated in Indian Princesses to spend more quality time with my dad, and watched my mother unnecessarily clean up after the housekeeper.  One thing was for certain, although my father would not have full control over my marriage, it was very much hinted that I was expected to marry someone Jewish. As my great-aunt would say, “anything other than a Jewish boy is just puppy love”. The concept of tradition that my grandmother’s generation grew up with, justifies faith as a repetitive behavior or action that is passed down through generations and is expected to be followed. Here is where a conflict of interest stews, my parents always hesitated in raising my sister and I with the traditions they grew up with, perhaps this is because those traditions cannot exist in the world today. The conflict of interest has continued with me, for this behavior from my parents has greatly affected the way I view concepts such as tradition, commitment, marriage, and religion. Today I cannot define tradition into a present concept. Tradition reminds me of an empty shell, an empty shell that some creature squeezed its body out of, only to be left on the ocean’s floor. I know what tradition was, but it has no place in the world today, now tradition comes with an empty hollow shell of naïve devotion.
              Throughout my grandmother’s memoir the concept of home continuously takes a stab at my own consciousness as I try to identify home’s true meaning.  My grandmother’s generation is a generation of uprooted homelessness, exiled and forever traveling in search of a home, yet cautiously never settling anywhere. What home means to my generation, is that the search itself is absurd and doomed to fail. The concept of home beseeches the third generation no longer lost and trying to recreate but rather destroyed due to the trauma of the Holocaust and globalization. The third generation is connected to the lack of belonging to a home. We are living in a transitory state of being; we are living in a state of transcendental homelessness. The generations before left us with the notion to always be in search for home, yet the effect of globalization renders that home can be found anywhere. But this only corrupts the concept of home, for home is now nowhere. This third generation should be coined “The Little Monsters”, and I say this because of the saying “home is where the heart is”.  There is no home to find the heart, the third generation is beyond human, every concept has been hollowed out, sucked of any notion that is authentic or actual, and instead is filled with the emptiness of satire. This has become possible because irony has processed itself into our everyday transactions. The concept of home, once forced to be filled with ideals that cannot exist today, lays as empty as that shell on the sea’s floor, for the third generation wanders like zombies incapable of producing a foundational home. Anyone who enters a space and calls it "home sweet home" is not to be trusted. When Isaac took Rebekah into his dead mother’s tent, one can easily question if he showed her his true heart. The reason why one cannot be trusted in the transitory home, is because the true self cannot exist in a space filled with irony, rather this place becomes a space for one to constantly be evaluating the self.
                  One ideal that was once forced within the home was what it meant to be a woman, in terms of marriage and commitment. My grandmother’s generation understood the word commitment very differently then how my generation views the word commitment. When two people married each other, he or she were committed. Women use to be expected to raise the children and clean the home. Today commitment comes with an escape button, divorce. My parent’s generation created the option for couples to duel who gets to go to work and who gets to raise the kids, whether to hire a full-time nanny or a once a month housekeeper. What my grandmother’s generation did not experience was variety; the rules where black and white, follow them or else. Today the rules have so many exceptions, not necessarily bad, but I think it is fair to say that options make the act of choosing difficult. Commitment in its truest form was when my grandmother stayed behind because of my grandfather. I think what my parent’s generation has taught my generation is to always think as an individual, to never rely on anyone other than the self or family.  My grandmother’s memoir Beshert, It Was Meant to Be, makes the claim that whatever one is left with in the end is what they deserved. I do believe that in my upbringing I was taught that no matter what “cards I was dealt” I had the power to make the next move, or to “play my cards right”. Beshert also can be defined as a romantic destiny, when one has found his or her true love. In the age of information the mysticism of love has died because of the available option of divorce. It has died because divorce has redefined commitment, it has redefined that even commitment cannot stay committed to its own definition. If one is unable to commit then he or she is an individual. The challenge today is remaining an individual when forming a commitment to another person, committing means self-sacrfice. Another issue that is arising is seeing how hard parents’ work to have a family, spreading one’s seed has come with a hefty price. Along with being taught to be an individual, selfishness is attributed to this characteristic. To work not as hard and support yourself seems to be a better choice in this world’s economy. Just as tradition and commitment seem to be reexamined, the world is struggling to create the real modern family. The satire that is created in the concept of a modern family is convoluted, whether it is of a couple of the same sex, an older man with a younger woman, an older woman with a younger man, or two people of different nationalities or skin color, the fact is that the word family will never mean what people desire it to mean. Theodore Adorno claimed that since Auschwitz poetry could not exist; yet I believe it is more than that. Since Auswitch family, tradition, commitment and religion cannot exist. It is not the real modern family we are searching for, it is not the Jones’ or the opposite of the Jones’, but rather the other, the cyborg nonfamily. 


Art by: Diane Arbus

Tuesday, August 10, 2010

The World Forgetting, By The World Forgot





















Jackpot

They say you’re  a lucky man when you inherit a great sum of money I spent it all on a gun the thing is, that red light wasn’t a part of the plan I just wanted to blow a hole in my brain to get a piece of mind instead I got a second chance.


Art: James Rosenquist





















Glue, You, Sticks, Fuck It...

this whole time
i thought i was shooting
arrows from bows
and bullets from pistols
and taking stabs and jabs
with swords and knives
but when i look at my hands
all i have is a rubber band
and i really fucking suck
at shooting it.

Photography: Mary Ellen Mark

Monday, August 9, 2010

Mutable Humans And Objects In Space

14
Don't let that horse
                        eat that violin


cried Chagall's mother
                        
                        But he
     kept right on
                          painting


And became famous
And kept on painting
                    The Horse With Violin In Mouth

And when he finally finished it
he jumped up upon the horse
                    and rode away
      waving the violin

And then with a low [bow] gave it
to the first naked nude he ran across

And there were no strings
                             attached


- Lawrence Ferlinghetti original poem has bow in it.. but take a chance and change it to blow.. i find it more satisfying. 



Fictitious Self Portrait 

The purple waxy line
flaked with every bump
he gripped the crayon
tighter, but before 
he could finish
she snatched his hand
hollering, hollering
creative destruction
lesson number ten
spanking number twenty-five
"Didn't you hear me!"
legs crossed, indian style
he smiled at his mother


"I am a robot with no ears."


John Wesley

Sam Francis


Wallace Berman




Saturday, August 7, 2010

Fantastic Planet


























Fantastic Planet is a super sci-fi animated film with great music directed and written by René Laloux and Roland Topor. Each second of this film, if paused, is a brilliant and beautiful piece of art.  Since I am going through a big sci-fi phase this one is my top recommendation...

Other films I have enjoyed this summer..


1. A Town Called Panic written and directed by Stéphane Aubier and Vincent Patar, is a brilliant French animation that is on CRACK. It is about a cowboy, an indian, and a French speaking horse, yes a French speaking horse. This film takes animal sacrifice to another level, as well as a creative take on the snowball effect. 












2. Thirst written and directed by Park Chan-wook is a Korean horror flick. Yes it deals with vampires, but trust me this is amazing and bloody. The last scene reminds me of Philip Levine's poem You Can Have It. (Click title for link to read poem!)



















3. A Single Man directed by Tom Ford is based off of Christopher Isherwood's novel. It is filled with AMAZING fashion from the 60's. What I love most about this film is the use of color, certain scenes breath with color, this technique makes the footage itself seem human, colors become vivid when characters feel emotions.  It is worth it to watch this technique be used, and if you are a fan of Mad Men, well I think you will like this. Warning story line is super depressing, but the end makes this movie great and Julianne Moore is stunning. 


















4. Let The Right One In is based off of John Ajvide Lindqvist vampire novel. Again this is not your typical vampire flick, this one is fucking ridiculous and bloody. 














5. Waltz With Bashir written and directed by Ari Folman, is another great animation. This film does a nice job juxtaposing different generations during times of war, expressing human behavior during war, and showing how in times of war every country serves a different purpose depending on the country's own agenda.












6. Reprise directed by Joachim Trier, is the shit. Anyone who loves to write or loves literature should watch this film. 















7. The Edukators is directed by Hans Weingartner. This film examines activism against capitalism, although this film does not examine what space the three main characters would like to create out of their activism ( " Your days of plenty are numbered" ) , it does express how difficult it is to destroy "the system" but regardless it is still worth to fight it.  



If you have a movie recommendation I would love to hear about it!!

Monday, August 2, 2010

My First Request

This is when you know your big, when you get your first request.

Request dedicated to my number one fan, my mom. Special, right? This short prose story was a creative final for a class I took, Space and Time: Worlding the Pacific Rim, Professor Rob Wilson. This is not the full length but if anyone is interested in the whole story I would be happy to send it your way.



Once J. asked me to do his laundry. I felt like jill tumbling after jack clutching a pail filled with monsters. R. noticed the tension, telling us its time to progress, change, transform. Handed me the directions “Here is not where we should be”. Under a small red arrow, in fine print it read, “there is where we got to get”. M. had already started the car, as L. stuck a Jesus-bobble head onto the dashboard. F. dressed completely in black, saying Friday wasn’t a good day to travel on. Each time we passed a state border, I tried to feel the progress, but I just felt J.’s heavy head on my shoulder. M. must have turned the car around; for I woke to L. shaking me awake saying Friday wasn’t a good day to travel on and J. was still holding his dirty laundry.

I close my eyes to isolate.
J. whispers in my ear “There could come here and abandon us”

With open eyes I tell him that's silly,
for here never seems to be anywhere near.




Art By: Unknown

Coming Soon...








working on a new zine for some new stuff...
going to figure out some montage tech thing to put up Hineni...





Read the Printed Word!

Different Items Different Cities.




Curiosity Looks Good in Blue
















Plates Licked Clean, Guaranteed! 


Out on the cafe's patio I watched a girl reading a book when a man approached told her he was looking for Jessica asked if that was her. She said no without lifting her eyes from the page of her book.

The next morning I read the paper first page bold letters Dead Girl's Body found a few miles from the cafe. My wife asked if I wanted more coffee without lifting my eyes I said no, bending the paper back into its original fold.





photograph: Peter Johns